Costs & budgets

Hire or buy an exhibition stand: the break-even sum

3 min readUpdated By the ExhibitionBase Studio team
Hire or buy an exhibition stand: the break-even sum: a stand designed and rendered in ExhibitionBase Studio

In short

Buying beats hiring only if you will really reuse the stand. Compare the hire price per show with the purchase price divided by the shows it will do, then add storage, refurbishment, reprints and transport to the owned figure. Three or more similar shows a year, at similar plot sizes, usually favours owning a modular kit. One or two shows at changing sizes usually favours hire or a build-and-dispose custom stand.

Key points

  • Count the shows honestly, and the sizes they use.
  • Owned stands carry storage, repair and transport costs.
  • Modular ownership needs a kit that fits your common plots.
  • Hire avoids storage but rarely gives a unique shape.

Three ways to get a stand

RouteGood forWatch for
Hire or rentalOccasional shows, varied sizes, tight cash flowLimited shapes, graphics still cost money
Owned modularRepeat shows at similar sizesStorage, transport, a kit that ages
Custom one-offA flagship show with a unique shapeWaste, and paying again next time
Many exhibitors mix them: an owned kit for regional shows, custom for the flagship.

A break-even you can do on paper

  1. 1Write down the hire price per show, H.
  2. 2Write down the price to buy the stand, B.
  3. 3Estimate the annual running cost of ownership, R: storage, repairs and insurance.
  4. 4Estimate the cost per show of ownership, S: transport, install and reprints.
  5. 5Estimate how many years, Y, and shows per year, N, it will really serve.
  6. 6Owning costs (B + R × Y) ÷ (N × Y) + S per show. Compare that with H.

For example, with invented figures for illustration: B = 30,000, R = 3,000, S = 2,500, N = 4 and Y = 3 gives (30,000 + 9,000) ÷ 12 + 2,500 = 5,750 per show. If hire costs less than that, keep hiring. Use your own numbers: the method matters, not the example.

The traps on each side

  • Plot sizes change. A kit built for 6 × 3 m is awkward on a 9 × 6 m island unless it was planned to grow.
  • Brand changes make old graphics useless, so keep the logo on replaceable panels.
  • Owned stands age. Scuffed laminate at the third show looks worse than a clean hire.
  • Hire stock can look familiar. Your graphics must do the differentiating.

Our reusable stands guide covers how to plan a kit that grows, and modular vs custom compares the build methods themselves.

Test the kit on your real plots

Before buying, draw the same kit on the three plots you book most often. If it fits, you have a system. If it only fits one, you have a stand.

A modular island stand with repeating wall bays
Repeating bays are what make a kit reusable on a different plot. Designed and rendered in Studio.

Frequently asked questions

Is it cheaper to rent or buy a trade show booth?

Renting is usually cheaper for a few shows a year; buying can win when the same stand does many shows at similar sizes. Include storage and transport in the sum.

How long does an owned exhibition stand last?

A frame can last for years if it is stored well, but graphics and laminates age faster. Plan to refresh surfaces, not replace the structure.

Can a hired stand have custom graphics?

Yes. Most hire systems take your printed fabric, which is the main brand element anyway.

What happens to a custom stand after the show?

Unless it was planned for reuse, much of it is skipped. Ask your builder what will be stored, reused or recycled, and put that in the contract.

Put it into practice

From a client brief to a 3D stand concept in minutes

An editable 3D exhibition stand concept from a written brief and the brand's website, at your exact size.

Guidance here reflects common practice. Venues, organisers and countries set their own rules: always check the exhibitor manual and work with a qualified stand builder and engineer for structures.

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